Mid-career Recruitment Artist Positions

Lighting & Composite Artist

【Job Description】
・Lighting and Rendering using Maya
・Compositing using Nuke 

【Applications Used】
・Maya、Nuke、Photoshop、After Effects、Unreal Engine、Deadline
・Other DCC tools, In-house tools, etc. 
 

【Renders Used】

・PPixel (in-house toon renderer)

・Arnold

・Redshift

【Required】
・Practical experience in compositing using Nuke
・Those who have an interest in toon-look CG productions
・Those with experience using Maya
※Basic operation of Maya is preferred, but experience with other DCC tools may be considered as a substitute. Applicants without Maya experience are also welcome to apply.​

【Preferred Qualifications】Skills & Personal Traits
・Understanding of Production Workflow & Broad Skillset
　・Practical experience as a generalist with a strong understanding of the overall production pipeline

　・Experience in compositing for 2D animation or toon-look projects

　・Proficiency in multiple DCC tools

・Strong Technical Skills & Adaptability

 　・Able to independently deliver high-quality visuals and respond flexibly to direction from directors or supervisors

 　・nterest, knowledge, or experience in tool development and scripting

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・Team-Oriented & Motivated

 　・Experience as a team leader or supervisor, or interest in mentoring and team development

 　・Proactive in communication and able to collaborate across teams to suggest improvements and solve problems

 　・Eagerness to stay up-to-date with the latest trends in visual and CG technology, with a strong drive for technical growth and workflow improvement

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【Work Location】

・Head Office (Minato-ku, Tokyo)

・Hybrid working: a mix of on-site and home-based work, with flexibility depending on business and operational needs.

※For remote work, you are responsible for your home working environment (e.g., a wired internet connection and a suitable PC).

・Fully remote arrangements from outside commuting distance may be considered on a case-by-case basis.